© Videonale e.V.

The development of the VideonaleOnlineArchive was supported by

Contact us

Videonale e.V. Phone +49 (0)228 69 28 18
im Kunstmuseum Bonn info@videonale.org
Helmut-Kohl-Allee 2  
53113 Bonn  

Jane Jin Kaisen & Guston Sondin-Kung [Videonale.13]

Jane Jin Kaisen 
*1980 Seoul KOR, lives and works in Copenhagen DNK
Studied at the University of California Los Angeles USA, the Whitney Museum of American Art Independent Study Program New York USA and The Royal Danish Academy of Fine Arts DNK

 

Guston Sondin-Kung 

*1982 Berkeley USA lives and works in Copenhagen DNK
Studied at California Institute of the Arts, CA USA and The School of The Chicago Art Institute, USA  

 

Exhibitions [selection]:

2013 Strom Festival, Kunsthaus Rheania GER
         Visualising Affect, Lewisham Arthouse, London, GBR
2013 Women In-Between: Asian Women Artists 1984-2012, Fukouka Asian Art Museum, Okinawa Prefecture            Art Museum of Fine Arts, Mie Prefectural Art Museum, JPN
2011 Fokus Video Festival, Kunsthallen Nikolaj DNK Vox Popul, Philadelphia, USA New Wight Gallery,    
         University of California Los Angeles, USA

 

http://gustonsondinkung.com/

http://janejinkaisen.org/

x

Jane Jin Kaisen & Guston Sondin-Kung

 

Jane Jin Kaisen & Guston Sondin-Kung x

The Woman, The Orphan and The Tiger, 2010, 76 min., sound, colour [VIDEONALE.13]

There is a Korean folk belief that at the site of an unjust mass burial, the phosphorus smoke that streams out of the ground stands for the grief and rage of the tortured souls who never received their last rites. The story of the ‘ghost flames’ becomes one of the metaphoric nods that Jin Kaisen weaves together in order to talk about the traumatic events in South Korean history, namely the various groups of women and children victimized and silenced during several South Korean military engagements of the 20th century. Through documentary footage, interviews, and poetic narratives, Kaisen presents the stories of three generations of women who were forced into sexual slavery by the Japanese military during the Second World War, who have been providing sexual services to the US military bases from the 1950s till present, and who were adopted as small children and taken to countries in the West. The stories of their lives often remain on the margins of the greater historical narratives. However, their trauma tends to manifest itself in the country's social mentality as the ‘ghost flames’ that haunt the nation. Thus Kaisen turns the medium of video into a ritual of purification, providing a voice to the unheard and restoring the social health of South Korean society.

Olena Chervonic

Jane Jin Kaisen & Guston Sondin-Kung